Liquitex Airbrush Medium is a low viscosity, pre-mixed blend of acrylic polymer emulsion, water, retarder and Flow-Aid. It is ready to use pre-filtered and pre-reduced to the proper consistency for airbrush technique. Add as much or as little as desired. It is formulated for thinning acrylic colors for airbrush application.

This medium ensures that colors do not lose flexibility, durability and adhesion. It easily thins acrylic or any water-soluble paints to a sprayable consistency and allows thinned acrylic paint to be sprayed efficiently and retain paint film integrity. Liquitex Airbrush Medium mixes easily with all Liquitex Soft Body Concentrated Artist Colors to produce airbrush paint with the proper viscosity for airbrushing. It can also be mixed with all Liquitex paint, mediums, and gesso, including Liquitex Heavy Body Artist Colors.

Liquitex Black Lava is a soft body, black speckled gel that contains small, flat, hexagonal shaped dark aggregates. When wet, it looks gray, but when dry, it gives the effect of ground, dry, black lava. When it is mixed with transparent and translucent colors, the black speckled quality is most apparent. Mix it with Liquitex Interference Paint for dramatic color effects.

Liquitex Blended Fibers is a soft body, thick, fibrous gel that, when dry, gives the effect of flexible fibers. Add Liquitex Gloss Gel Medium or Gloss Heavy Gel Medium for easier application and to increase adhesion while wet. It works best when applied with a palette knife or trowel.

Liquitex Ceramic Stucco is a soft body, thick, low luster, fine texture gel, that dries to a light gray matte stucco finish. It is excellent for producing thick 3-D effects, as well as thinly coating surfaces, and is an excellent ground for acrylic and oil paint, oil pastel, oil bars, pastels and graphite. It is somewhat susceptible to abrasion; a coat of Liquitex Varnish adds protection. Apply varnish carefully to avoid foaming and clouding. Ceramic Stucco works well with brush application.

The Liquitex Fabric Medium enhances the workability of acrylic paint on fabric and controls bleeding of colors thinned with water. It provides a smooth, consistent flow to Soft Body Artist Color and prevents uneven application of paint to rough textured fabrics. It also reduces stiffness of dried acrylic paint on fabric and eliminates the need to scrub or abrade rough textured fabrics in order for paint to adhere to or penetrate into the surface.

Does not require heat setting.

Liquitex Flexible Modeling Paste is an extra Heavy Body and very opaque marble paste made of marble dust and 100% polymer emulsion. Dries more slowly than other modeling pastes to a hard yet flexible surface. Used to build three-dimensional forms and heavy textures on supports that may be subject to flexing or movement. Adheres to any non-oily, absorbent surface. When mixed with acrylic colors will act as a weak tinting white, while Excellent substrate for acrylic paint, oil paint, oil pastel, oil bars,

Liquitex flow Aid can be used with all acrylic paints and mediums. Use in conjunction with any acrylic medium or color when increased flow and absorption and decreased film tension and friction are important. It is a flow enhancer that improves the flow, absorption and blending of any water-soluble paint (i.e. acrylic paint), medium, ink or dye. It minimizes brush marks by reducing friction of paint application. It does not contain binder. Over thinning of acrylic paint with Flow Aid and applying it to a non-absorbent surface (i.e. gessoed canvas) may result in poor adhesion. Always make a test piece for your particular application and surface. On non-absorbent surfaces, Flow Aid will increase the fluidity and open (drying) time of the paint. On absorbent surfaces, it will act as a stain, dye or watercolor.

Liquitex Glass Beads is a medium body gel that contains clear, round aggregates that dry to a semi-gloss, reflective ("bubbly") surface. For the most dramatic reflective effects, mix it with transparent or translucent colors or apply straight from the container over dried paint. For reflective textural glazes, mix it with Liquitex Gloss Medium & Varnish and small amounts of Liquitex Soft Body Concentrated Artist Color. It is suitable as a ground for acrylic and oil paint and works well with brush application.

For creating brilliant jewel like glazes with acrylic artist colors.

Liquitex Glazing Medium has excellent brushing and leveling qualities, it dries quickly for rapid layering if mixed with any amount of acrylic color. Small quantities of color provide the most transparency and it works best with transparent or translucent colors. It is also flexible, non-yellowing and water resistant when dry.

Dries to a gloss finish.The viscosity and body similar to Heavy Body Artist Color. It is translucent when wet, transparent (clear) to translucent when dry. Thicker applications result in less transparent dry medium films. Ideal medium to mix with Heavy Body Acrylic Color to extend paint, increase the brilliance and transparency of color, without changing the thickness of the paint. Mix with Heavy Body Artist Color to obtain paint similar in color depth to oil paint.

An extra heavy body medium of great density which dries to a transparent or translucent gloss finish. Mix with acrylic paint to increase body, density, viscosity and attain oil paint like consistency with brush or palette knife marks.Extends paint while increasing brilliance and transparency Keeps paint workable longer than other gel mediums.

The workhorse of the Liquitex mediums range. Gloss Medium & Varnish in an all-purpose medium that performs two functions. It can be used as a varnish and/or a fluid gloss medium. It improves adhesion of paint film and increases color depth, intensity, and gloss. It can also be used as a non-removable varnish to protect the surface and establish an even gloss sheen.

An extremely thick, extra Heavy Body. The thickest "clear" gel. Heavy bodied, very dense, with high surface drag for a stiff "oil-like" feel. Dries clear to translucent depending on thickness of the application. Very little shrinkage during drying time. Excellent adhesion for collage and mixed media. Extends paint, increases brilliance and transparency. Keeps paint working longer than other gel mediums. Flexible, non-yellowing and water resistant when dry.

Liquite Gloss Varnish is an extremely clear, permanent varnish for acrylic paintings on flexible and rigid surfaces. It provides greater clarity in the wet state than many acrylic varnishes. It has a fluid viscosity with excellent leveling properties for brush stroke-free application. It is permanent and durable for superior protection against the environment. It is flexible, archival, non-yellowing and water resistant when dry. For interior use only.

This low viscosity, fluid. Translucent when wet, clear when dry. Increases gloss, depth and intensity of colors it is applied over. 100% acrylic polymer varnish. Water soluble when wet. Good chemical and water resistance. Dry to a non-tacky, hard, flexible surface that is resistant to retention of dirt. Resists discoloring (non-yellowing, non-fogging) due to humidity, heat and ult raviolet light. Depending upon substrate, allows moisture to pass through (breathable). Not for use over oil paint. Protects acrylic color from harsh elements. Hard, archival, non-yellowing and water resistant when dry. For interior use only.

Liquitex Light Modeling Paste is a Soft Body, lightweight, airy, flexible, thick, sculptural gel specifically formulated to be used in thick applications where weight is a factor. It will not exhibit "mud cracking". Used alone, it will dry to a matte opaque white that readily accepts staining if desired.

Liquitex Matte Gel is a Heavy Body medium with the same qualities as Gloss Gel Medium, except it dries translucent with a satin/matte finish. The viscosity and body are similar to Heavy Body Artist Color. Matte Gel Medium has greater adhesion than Gloss Gel Medium and Gloss Heavy Gel Medium. It is translucent when wet, transparent when dry. Thicker applications result in less transparent dry medium films. Mix with Heavy Body Artist Color to obtain paint similar in color depth to oil paint. Color mix will dry to a satin sheen.

The Liquitex Matte Medium is a Soft Body medium that creates a matte, non-reflecting finish when added to acrylic colors. Mix into any acrylic paint to increase transparency and extend color, increase matte sheen, increase film integrity, ease flow of paint and add flexibility and adhesion of paint film.

Liquitex Matte Super Heavy Gel is an extremely thick, extra Heavy Body acrylic medium. It is heavy bodied, very dense, with high surface drag for a stiff "oil-like" feel. It dries to a translucent matte finish depending on thickness of the application, with very little shrinkage during drying time. It provides excellent adhesion for collage and mixed media and extends the paint. Matte Super Heavy Gel keeps paint working longer than other gel mediums. It is flexible, non-yellowing and water resistant when dry.

Low viscosity Liquitex Matte Varnish is very fluid and produces a matte finish that does not drastically reduce color depth as does Matte Medium. This 100% acrylic polymer varnish is water soluble when wet, and has good chemical and water resistance when dry. It dries to a non-tacky, hard, flexible surface that is resistant to retention of dirt. Matte Varnish resists discoloring (non-yellowing, non-fogging) due to humidity, heat and ultraviolet light. Depending upon the substrate, it allows moisture to pass through (breathable). It will not crack as the surface expands and contracts during temperature and humidity changes. It can be applied on any acrylic painted rigid surface - canvas, paper, wood, stone, Plexiglas, etc. It is not for use over oil paint. Matte Varnish is flexible, archival, non-yellowing and water resistant when dry. It is good for interior and exterior use.

Liquitex Modeling Paste is an extra Heavy Body and very opaque marble paste made of marble dust and 100% polymer emulsion. Use it to build heavy textures on rigid supports and create three-dimensional forms. It dries to the hardness of stone, and can be sanded or carved when thoroughly dry. It can be handled like clay if the top of the container is removed and some of the water is allowed to slowly evaporate until it reaches a clay-like consistency. It adheres to any non-oily, absorbent surface. Drying too quickly causes mud cracking that is usually cosmetic, not structural. When mixed with acrylic colors it will act as a weak tinting white, while increasing thickness and rigidity. Modeling Paste is an excellent substrate for acrylic paint, oil paint, oil pastel, oil bars, watercolor, graphite or dry pastel.

Liquitex Natural Sand is a soft body, finely textured gel that dries to a surface similar to glossy "beach sand". Mix it with Liquitex acrylic colors to improve blending and impart the "feel" of oil paint. It is a very effective ground for acrylic and oil paints, oil pastel, pastel and graphite when delicate marks and blending are necessary. It works well with brush application.

Liquitex Pouring Medium creates even "puddles," poured sheets, and flowing applications of color. It does not craze, crack, or hold bubbles in the paint film upon drying. It retains high gloss and wet appearance when dry and will not add transparency when mixed with color. It is flexible, non-yellowing and water resistant when dry.

Liquitex Resin Sands is a soft body, thick, coarsely textured gel that contains aggregates of various sizes. It dries to a "rough cement" look and will retain its unique texture well when mixed with paint. It is an excellent ground for acrylic and oil paint, when dramatic effects are desired.

Low viscosity Liquitex Satin Varnish produces a non-glare, low sheen surface that will intensify colors and will not drastically reduce color depth.

This 100% acrylic polymer varnish is water soluble when wet. It has good chemical and water resistance. It dries to a non-tacky, hard, flexible surface that is resistant to retention of dirt. Depending upon the substrate, it allows moisture to pass through (breathable). Satin Varnish is made for interior and exterior use.

Liquitex Slow-Dri Blending Gel is a unique formulation for superior surface blending with acrylics. It extends drying time up to 40% for superior surface blending with acrylics. It is similar in body to Heavy Body Professional Artist Color. Mix any amount into color to enhance the depth of color intensity, increase transparency, gloss, and add flexibility and adhesion to paint film. Slow-Dri Blending Gel dries clear to reveal full, rich color. Unlike retarding additives, any quantity may be added to color without jeopardizing the strength of the paint film. It is translucent when wet, transparent when dry.

Flexible, non-yellowing and water resistant when dry.

Liquitex Slo-Dri Blending Medium is an unique formulation for superior surface blending with acrylics. Extends drying time up to 40% for superior surface blending with acrylics. Adds flow to Heavy Body Professional Artist Color and is similar in body to Soft Body Professional Artist Color. Mix any amount into color to enhance the depth of color intensity, increase transparency, gloss, ease flow of paint, and add flexibility and adhesion to paint film. Dries clear to reveal full, rich color. Unlike retarding additives, any quantity may be added to color without effecting it color. Translucent when wet, transparent when dry. Flexible, non-yellowing and water resistant when dry.

Liquitex Slow-Dri Fluid Retarder is for all acrylic paints and mediums. Its fluid consistency thins paints. It increases "open" time of acrylic paint, reduces paint skinning-over on the palette, and increases blending time, making blending of colors and detail brushwork easier. Mix with Liquitex Acrylic paints and mediums to retard drying time up to 50%. The Fluid Retarder is made to be used with Liquitex Soft Body Artist Color and Soft Body mediums. It may also be used with Liquitex Heavy Body Artist Color and Heavy Body gel mediums, however thickness of paints and mediums will be reduced to a more fluid consistency. Slow-Dri Fluid Retarder is Archival.

Liquitex Slow-Dri Gel Retarder is for all acrylic paints and mediums. It is similar to Slow-Dri Fluid Retarder, except in gel (Heavy Body) thick consistency. The gel consistency, designed to be used with Liquitex Heavy Body Artist Color and Heavy Body mediums, may also be used with Liquitex Soft Body Artist Color and Soft Body mediums. However, thickness of paints or mediums will be increased. Slow-Dri Gel Retarder is Archival and increases blending time.

Low viscosity Liquitex Soluvar Gloss Varnish is very fluid and increases the depth and intensity of color when applied as a final varnish over dry acrylic or dry oil paint. It is also available in Matte, which may be intermixed for a variety of sheens.

Soluvar Gloss varnish is a permanent, removable, final varnish for acrylic and oil paintings that protects the painting surface and allows for removal of surface dirt, without damaging the painting underneath. Once the surface is clean, a new coat of Soluvar may be reapplied to surface. Thin with mineral spirits or turpentine. Do not use Odorless Mineral Spirits.

It dries to a clear, non-tacky, water resistant, hard film that is resistant to retention of dirt and prevents dirt and pollutants from contacting paint surfaces. It is self-leveling and will not hold brush strokes. It resists discoloring (non-yellowing, non-fogging) due to humidity, heat and ultraviolet light. It is made for interior and exterior use.

Low viscosity Liquitex Soluvar Matte Varnish can be applied as a final varnish over dry acrylic or oil paint. It lowers intensity and depth of color, while reducing the surface glare. Liquitex Soluvar Varnish is also available in Gloss which may be intermixed for a variety of sheens. Soluvar Matte Varnish is a permanent, removable, final varnish for acrylic and oil paintings that protects painting surfaces and allows for removal of surface dirt, without damaging the painting underneath. Once the surface is clean, a new coat of Soluvar may be reapplied. Thin with mineral spirits or turpentine. Do not use Odorless Mineral Spirits. This dries to a clear, non-tacky, water resistant, hard film that is resistant to retention of dirt and prevents dirt and pollutants from contacting paint surfaces. It is self-leveling and will not hold brush strokes. It is flexible and will not crack as the surface expands and contracts during temperature and humidity changes. It resists discoloring (non-yellowing, non-fogging) due to humidity, heat and ultraviolet light. Soluvar Matte Varnish is made for interior and exterior use.

Liquitex String Gel, a self-leveling gel with a syrupy, honey-like consistency, enhances depth of color and increases transparency and flow. It dries glossy and transparent and is permanent, non-yellowing, flexible and water resistant when dry. Pouring or dripping the gel from above produces a long, string-like application. Mix it with acrylic color and brush to creating long streaking effects, as well as to enhance depth of color.

Liquithick Thickening Gel can be used with all acrylic paints and mediums. It is a thickening gel for water soluble acrylic paint and mediums. Used in small amounts, it produces handling characteristics very close to that of oil or encaustic paint. At higher concentrations, it can thicken paint or mediums to "cake" or sculptural consistency. Drying time will be between 24 hours to 7 days depending upon amount of Liquithick added to the paint or medium. Liquithick does not increase transparency. It produces a matte surface sheen when dry. Paint and medium shrinkage will occur in proportion to the amount of Liquithick added. Liquithick Thickening Gel is Archival and contains a unique polymer.

Liquitex Ultra Matte Gel is a Heavy Body, translucent white gel of high density and high solids, that economically extends the volume of Heavy Body Artist Color without changing its heavy body. It adds up to 50% by volume, to double amount of paint and retain color position. If more than 50% is added, it acts as a very weak tinting white. It maintains the opacity of the color better than using a clear gel medium. It dries to a matte finish, giving colors a matte sheen and gouache look.

Liquitex Ultra Matte Medium is a soft body medium that increases the volume of paint, while maintaining the opacity of the color it is mixed into. Economically doubles the volume of Soft Body Artist Color by adding up to an equal amount (50%) of medium to color with little or no noticeable loss in opacity or change in hue. The opacity of colors mixed with Ultra Matte Medium will be higher than if the color had been thinned to the same degree with any other medium except Modeling Paste. When over 50% is added, Ultra Matte Medium can act as a weak tinting white, increasing the value of the original color approximately one level. Light colors will be affected less than dark colors.

Liquitex White Opaque Flakes is a heavy body, coarse gel that contains irregular sized and shaped opaque flakes. White flake texture is most apparent when mixed with transparent or translucent colors or small amounts of opaque color. If pure white is desired, add a small amount of Liquitex Titanium White. Apply with a palette knife, trowel, paint brush, etc. Different tools produce different effects. Mix acrylic paint into Texture Gel or let gel dry and paint on top.

M. Graham Gloss Medium provides ease of use and response to acrylic colors while strengthening the paint film and adding a uniform glossy sheen.

M. Graham Matt Medium provides ease of use and response to acrylic colors while strengthening the paint film and adding a uniform matte surface.

Winsor & Newton Carvable Modeling Paste is the do-it-all version that is tough and fully "carvable". It remains flexible on a variety of surfaces and is suitable for multiple layers. It is formulated to have the least effect on color change from wet to dry and may be over-painted. Color may be added directly to the modeling paste (note that color will become lighter and more 'chalky' and the resulting paste will have reduced body).

Winsor & Newton Galeria Flow Improver is an additive that loosens the surface tension of water within the acrylic film. It increases flow, allowing the artist to apply areas of flat color evenly without changing the color strength. The increased flow is also ideal for masking applications (as the color lays more smoothly and evenly agains the taped edge) and for flowing, gestured watercolor techniques. Flow improver is also the best medium for "staining" applications. It should be used only in the amount needed to achieve the desired effect.

Winsor & Newton Galeria Gloss Medium has high clarity and even flow. It boosts the brilliance and transparency of the colour as well as improving adhesion and durability. It is ideal for glazing or applying thick, highly transparent layers of brilliant color for depth and "stained-glass" effect.

Winsor & Newton Galeria Heavy Structure Gel is the heaviest gel available in the Galeria range. It is ideal for creating strong surface texture and very high peak retention. It is smooth and flexible and heavy layers are easily and quickly built. It provides a 'satin' finish to prevent thick layers from looking too plastic.

Winsor & Newton Galeria Matt Medium creates a flat, even finish. It maintains brilliance of color while boosting transparency, adhesion and durability.

Winsor & Newton Gloss Medium imparts a gloss finish whilst maintaining the consistency of colour. It improves colour flow for glazing and increases transparency.

Winsor & Newton Gloss Varnish is a unique removable gloss varnish for the protection of finished artwork. This product can also be mixed with Galeria Matt Varnish to vary the final finish.

Winsor & Newton Iridescent Medium is suitable for a variety of surfaces and was developed to provide pearlescent effects when added to colour. It is most effective when used with transparent colors over dark underlayers.

Winsor & Newton imparts a matt finish to the colour whilst maintaining the consistency. It improves the flow of colour for blending and increases transparency.

Winsor & Newton Matt Varnish is a unique removable matt varnish which may be mixed with Galeria Gloss Varnish to vary the final finish.

Winsor & Newton Modeling Paste is a lighter-weight modeling paste for use on canvas (to minimize sagging). This finely textured paste has a soft sculptural consistency and a matt finish. It is suitable for building multiple layers and may be over-painted. Color may be added directly to modeling pastes (note that colour will become lighter and more 'chalky' and the resulting paste with have reduced body).

Winsor & Newton Satin Varnish is a unique removable satin varnish for the protection of finished acrylic paintings.

Add Winsor & Newton Structure Gel to acrylic colour to create high peak retention. It is smooth and flexible and provides a gloss finish with good clarity.